The Eurovision Song Contest, by its very title, claims to be about ‘song’. In this music-only, apolitical review, we’re going to test that claim.
We’re also going to look at why the 2017 event may turn out to be especially significant, potentially as Eurovision’s turning point. And we’ll suggest where the BBC might change policy, so that the UK can start to do better, both for its audience and for the British music industry. Read more